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Charles Méryon
Charles Méryon (23 November 1821 – 13 February 1868), was a French artist, who worked almost entirely in etching, as he suffered from colour-blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. He also suffered from mental illness, dying in an asylum. His most famous work is a series of views of Paris.
==Early years==
He was born in Paris, his father being an English physician and his mother a French dancer. Méryon's mother brought him up, but died when he was still young, and Méryon entered the French navy, and in the corvette "Le Rhin" made the voyage round the world. He was already a draughtsman, for on the coast of New Zealand he made pencil drawings which he was able to employ, years afterwards, as studies for etchings of the landscape of those regions. The artistic instinct developed, and, while he was yet a lieutenant; Méryon left the navy. Finding that he was colour blind, he determined to devote himself to etching. He entered the studio of the engraver Eugène Bléry, from whom he learnt something of technical matters, and to whom he always remained grateful. Méryon had no money, and was too proud to ask help from his family. He was forced to earn a crust by doing work that was mechanical and irksome. Among learners' work, done for his own advantage, are to be counted some studies after the Dutch etchers such as Zeeman and Adriaen van de Velde. Having proved himself a skilled copyist, he began doing original work, notably a series of etchings which are the greatest embodiments of his greatest conceptions—the series called "Eaux-fortes sur Paris." These plates, executed from 1850 to 1854, are never found as a set and were never expressly published as such, but they nonetheless constituted in Méryon's mind an harmonious series.
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